Art Pluriverse aims to uplift intangible & natural heritage in the Balkans, empowering communities of practice by documenting traditional knowledge in open, ethical and participatory ways, together with artists and researchers.
The Biennale of Western Balkans presents Art Pluriverse II, a community science series on intangible & natural heritage in the Balkans explored through art and open knowledge. The 2nd edition “Iatrosophia: On Folk Medicine and Phytogeography” focuses on communities who are holders of folk medicinal traditions and local botanical knowledge in the wider Balkan region.
We invite artists and researchers, together with communities of practice to co-document traditional knowledge through art-based research and community archiving, under two tracks: the Artist-Community Synergies, and the FAIR & CARE Community Archives course.
Explaining Art Pluriverse.
Towards a deeper understanding
[A living document]
Art Pluriverse is a community science series for intangible & natural heritage in the Balkans that envisions a boundary spanning approach to intangible cultural heritage (ICH) through art and open knowledge. Art Pluriverse is inspired by the concept of pluriversality as expressed in the recent publication “Pluriverse: A Post-Development Dictionary” (Kothari et al., 2019), where traditional knowledge is extended to eco-cultural relations of locality, biocultural memory and grassroots collectivity.
The programme intends to situate ICH in an intercultural applied context, drawing on the anthropological theory of Manuela Carneiro da Cunha that brings a deeper understanding on the concept of reflexivity when diverse cultures coexist (da Cunha, 2009). It actively follows the development of the Declaration on Open Access for Cultural Heritage (Heidel & Wallace, 2020), which aims to inform towards equitable and consistent practices around open access, including emerging questions in areas such as decolonization, indigenisation and ICH. It is further motivated by the call on a community-centred approach for ICH’s continuity (Aikawa-Faure, 2009) and inspired by Aboriginal new media art research as published in “Transference, Tradition, Technology” (Claxton et al., 2006).
Art Pluriverse seeks to uplift cultural knowledge systems identified as traditional, local, indigenous or folk, aiming to draw attention towards diverse epistemologies of knowledge co-production. ICH describes living cultural practices that are community-based and collectively experienced, e.g. from shared aesthetic traditions to communal resource management. ICH’s multivalent manifestations often deviate from object-centred approaches and materialities, allowing the mapping of more processual, affective and symbolic ensembles. Through the community science series we envision to further explore ICH and its ecosystem of related concepts, as cultural expressions, collective memory, living heritage and ephemera, up to digital folklore, genetic resources (WIPO, 2020) and living paradigms of commoning through alternative movements and livelihoods that value traditional social systems (Varvarousis, 2019).
We acknowledge that processes of globalisation and cross-cultural hybridisation can often revive rather than endanger cultural heritage, allowing it to respond to contemporary multifaceted social and cultural environments (Alivizatou, 2016). In this context, we aim to foster convivial spaces of digital co-existence that bring together past and contemporary intangible cultural practices, while advocating for inclusive community participation of regionally active groups and small collectives, including LGBTQ, BIPOC, diasporic, cross-border and common interest or common needs communities. Art Pluriverse is conceived as a field in the making, a critical apparatus for the slow exploration of intangible culture within the interdisciplinary art and sociocultural discourse.
Aikawa-Faure, Noriko. “From the Proclamation of Masterpieces to the Convention for the Safeguarding of Intangible Cultural Heritage.” Intangible Heritage. (2009): 13-44.
Alivizatou, Marilena. Intangible Heritage and the Museum: New Perspectives on Cultural Preservation. Walnut Creek: Left Coast Press, 2016.
Claxton, Townsend, Stephen Loft, Melanie Townsend. Transference, Tradition, Technology: Native New Media Exploring Visual & Digital Culture. Banff, Alberta: Walter Phillips Gallery Editions, 2005.
Cunha, Manuela C. “Culture” and Culture: Traditional Knowledge and Intellectual Rights. Chicago: Prickly Paradigm Press, 2009.
Heidel, Evelin & Andrea Wallace. Declaration Draft. Open GLAM. 2020.
Kothari, Ashish, Ariel Salleh, Arturo Escobar, Federico Demaria, and Alberto Acosta. Pluriverse: A Post-Development Dictionary. New Delhi: Tulika Books, 2019.
Varvarousis, Angelos. “Who is Afraid of Change?.” Consider Journal Issue No1, Societe Publishing New Zealand. (2019):56-65. (Ιllustrations by Sir John Tenniel, Alice’s Adventures in Wonderland, 1865. Artwork and Graphic Design by Christina Biliouri.)
WIPO, Intellectual Property and Genetic Resources, Traditional Knowledge and Traditional Cultural Expressions. Switzerland, 2015/2020.
Art Pluriverse II
On folk medicine and phytogeography
Folk, traditional or popular medicine is understood as a sociοcultural process of community transferred knowledge that is based on a variety of grassroots health care practices (Hionidou 2016), including but not limited to, the use of plant and herbal species, natural elements, technology as well as oral and performative rituals. Folk medicine reflected the applied use of local wisdom for communal well-being, forming a part of socio-ecological livelihoods and their everyday culture.
Balkans have a long history of medical culture (Živković et al. 2020) related to the ethnobotanical knowledge and phytogeography of the region. Plants’ medicinal, economic and anthropological importance is reflected in the sound knowledge of their diversity and use (Jarić et al. 2018), providing a deep understanding of how socio-ecological microsystems work and affect the human environment-biota relations (Pieroni 2014). The folklore documentation of plant and herbal records, their traditional local names and uses, real and symbolic, have been collected in songs, fairy tales, traditions, proverbs and other forms and elements of popular discourse (Karamanes 2012). From spiritual healing and ritualistic practices to folk phytotherapy and herbal remedies, such practices continue to be a part of the collective wisdom and popular cosmology, which are retained and transmitted to contemporary holders (Kerewsky-Halpern 1985).
The phytogeography of the Balkans and the empirical scholarship of local floristics constitute a major part of the local traditional environmental or ecological knowledge (TEK), which has been culturally transmitted through generations. It is a cumulative body of knowledge and practices of indigenous, native peoples and moving populations, evolving over time in reciprocal and mutualistic relationships with the earth (Kimmerer 2012). Originating mainly from a preindustrial era and often outside the Western scientific canon (Martin et al. 2010), TEK includes folk health systems of alternative epistemologies (Hufford 1997), which can be valuable in contemporary contexts in such fields as sustainable resource management, pharmacopoeia, and ecological design.
Folk medicinal cultures of past and present communities of practice are being mapped further in policy and cultural information management frameworks. TEK practices have been acknowledged as intangible assets within the Genetic Resources, Traditional Knowledge and Traditional Cultural Expressions by WIPO (2001). On this basis, many traditional knowledge holding communities have developed open online databases and registries, documenting the ancient and often oral roots of their folk medical knowledge, which include dictionaries with native terms, classification systems with local phytogeographic references, and digitised manuscript records. The open-access UNESCO Thesaurus (1995) includes traditional medicine as one of the five systems of medicine, related to the concepts of cultural anthropology and traditional technology. More participatory approaches applying “minimal computing” and open-source software are currently being developed together with local communities to preserve indigenous botanical knowledge at risk (ExCiteS, 2019).
Iatrosophia aims to explore anew the TEK of transgenerational folk medicine in the Balkans, through participatory art-based research and digital community archives. The programme is further inspired by museum collections linking herbaria to art such as the Museum of Medicine in Crete, Greece, art studies like the publication “Medicines to Help Us” by indigenous artist Christi Belcourt on traditional Métis plant use (2007), and curatorial works as the exhibition “Folk Remedies” by curator Ksenija Orelj at MMSU, Croatia (2019). Folk medicine, under a variety of cultural and ethnographic influences, is reinterpreted as a channel between the human connection with nature and its therapeutic agency against illness and evil. Safeguarding such traditional practices does not attempt to evaluate the credibility of the gathered traditional practices, but rather to recollect and uplift a herbal Imaginarium of local ancestral practices.
Belcourt, C., Flamand, R., Whitford, O., Burnouf, L., Richardson, R., & Gabriel Dumont Institute of Native Studies and Applied Research. (2007). Medicines to help us: Traditional Métis plant use: study prints & resource guide. Saskatoon: Gabriel Dumont Institute.
ExCiteS. (2019, May 29). Citizen science and botanic knowledge among herders and farmers in Kenya [Blog post]. Retrieved from https://uclexcites.blog/2019/05/29/citizen-science-and-botanic-knowledge-among-herders-and-farmers-in-kenya.
Hionidou, V. (2016). Popular Medicine and Empirics in Greece, 1900–1950: An Oral History Approach. Med. Hist, 60(4), 492–513.
Hufford, D. (1998). Folklore Studies Applied to Health. Journal of Folklore Research, 35(3), 295–313.
Jarić, S. Kostić, O. Mataruga, Z. Pavlović, D. Pavlović M. Mitrović, M. & Pavlović, P. (2018). Traditional wound-healing plants used in the Balkan region (Southeast Europe), Journal of Ethnopharmacology, 211, 311-328. https://doi.org/10.1016/j.jep.2017.09.018.
Καραμανές, Ε. (2012). Βότανα στην λαϊκή θεραπευτική: λαογραφική έρευνα και τεκμηρίωση της πολιτισμικής διάστασης των φαρμακευτικών και αρωματικών φυτών. Πανελλήνιο Επιστημονικό Συνέδριο: Λαϊκή ιατρική και Ιατρική επιστήμη. Σχέσεις αμφίδρομες. Αθήνα: Κέντρον Ερεύνης της Ελληνικής Λαογραφίας της Ακαδημίας Αθηνών.
Κerewsky-Halpern, B. (1985). Trust, talk and touch in Balkan folk healing. Social Science & Medicine. 21(3), 319-325. https://doi.org/10.1016/0277-9536(85)90108-X.
Kimmerer, R.W. (2012). Searching for synergy: integrating traditional and scientific ecological knowledge in environmental science education. Journal of Environmental Studies and Sciences. 2, 317–323.
Martin, J. F., Roy, E. D., Diemont, S. A. W., & Ferguson, B. G. (2010). Traditional Ecological Knowledge (TEK): Ideas, inspiration, and designs for ecological engineering. Ecological Engineering, 36(7), 839.
Orelj, K. (2019). Folk Remedies Exhibition, The Museum of Modern and Contemporary Art Rijeka. Retrieved from https://mmsu.hr/en/event/folk-remedies
Pieroni, A., & In Quave, C. L. (2014). Ethnobotany and biocultural diversities in the Balkans: Perspectives on sustainable rural development and reconciliation. doi: 10.1007/978-1-4939-1492-0.
Unesco. (1995). UNESCO thesaurus =: Thesaurus de l’UNESCO = Tesauro de la UNESCO. Paris: Unesco Pub. Retrieved from http://vocabularies.unesco.org/browser/en/about.
World Intellectual Property Organization. (2001). Intellectual property needs and expectations of traditional knowledge holders: WIPO report on fact-finding missions on intellectual property and traditional knowledge (1998-1999). Geneva: WIPO.
Živković J, Ilić M, Šavikin K, Zdunić G, Ilić A and Stojković D (2020). Traditional Use of Medicinal Plants in South-Eastern Serbia (Pčinja District): Ethnopharmacological Investigation on the Current Status and Comparison With Half a Century Old Data. Front. Pharmacol. 11, 1020. https://doi.org/10.3389/fphar.2020.01020
Want to know more about the terms & concept?
Communities and people can come together and create new knowledge in do-it-together research activities. The programme is engaging artists and researchers with communities of practice focused on the Balkan region, in order to collectively discover, experience and share local wisdom and intangible heritage practices.
Conceived as a field in the making that explores pluriversality through intangible & natural heritage, art and open knowledge. We aspire to gradually form its meaning through annual editions that focus on intangible heritage practices (e.g. performing arts, oral cultures), bringing up biocultural, critical art and interdisciplinary humanities issues.
Defines how data and content can be openly accessed, modified, reused and shared by all. We advocate for openness and cultural data-mindfulness, fostering open access publishing, creative commons and open data. Open knowledge is the overarching practice for the Art Pluriverse Community Science Series.
Art Pluriverse Partners